Contemporary galleries – Balazo Gallery Thu, 07 Oct 2021 03:14:43 +0000 en-US hourly 1 Contemporary galleries – Balazo Gallery 32 32 October 7 exhibitions | Arts Wed, 06 Oct 2021 22:00:00 +0000

Torosiete Contemporary Art Museum: “Hearts’ Lonely Hunters” (1995) by Daniel Kuttner and Beatrix Ost is streaming in the Virtual Contemporary Art Gallery. Streaming instructions:

University of Virginia Health Arts Program: “Capturing the stillness of nature,” watercolors by Jane Skafte, can be seen in the main hospital lobby until October 28. Parking validated for the 11th Street parking garage only. (434) 924-5527.

Woodberry Forest School: “Into the Light”, the ninth annual group art exhibition by 38 members of the Firnew Farm Artists’ Circle, on display until October 30 at the Baker Gallery at the Walker Fine Arts Center. Featured artists are Mary Allen and Carole Pivarnik. Off-campus visitors can attend between 10 a.m. and 5 p.m. on Saturdays and Sundays. All participants in the exhibition and / or reception must be vaccinated and wear masks. (540) 672-3900.

Eyes of the World: “The Printmakers Left: Catalog” is on view until Sunday. Artists include Anne Beck, Berenika Boberska, Joshua Dailey, Dean Dass, Kate Daughdrill, Lydia Diemer, Jenny Harp, Kirsten Hemrich, Emma Lappalainen, John Leahy, Rachel Livedalen, Jyrki Markkanen, Lydia Moyer, Akemi Ohira, Joh Schultz, Rache Singel , Christopher Thomas, Barbara Campbell Thomas, Marc Snyder, Randall Stoltzfus, Maggie Sullivan, Annu Vertanen and Adam Wolpa. The opening hours of the gallery are from 1 p.m. to 5 p.m. Thursday to Saturday and by appointment. Staggered entry times will be scheduled to reduce the number of hearings, so reserve an hour at (434) 882-2620 or (434) 882-2620.

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Mark A. Roglán, director of SMU’s Meadows Museum, dies at 50 Wed, 06 Oct 2021 01:28:56 +0000

Mark A. Roglán, an expert on 19th-century Spanish art who ran the Meadows Museum at Southern Methodist University during a period of significant growth as director for more than a decade, died Tuesday morning at his home from University Park. He was 50 years old.

The cause was cancer, a museum spokeswoman said, adding that Roglán had started palliative care on Monday.

During his nearly 20 years at the museum, where he arrived after working at the Prado in his native Madrid, Roglán was a pivot between cultures, striving to cement the idea of ​​museum founder Algur H. Meadows according to which the meadows would be “a Prado in the meadow.” . “He has designed works for the museum that have never been seen in the United States before and has collaborated with other museums internationally, including the Prado. He has also presided over major acquisitions spanning a variety of periods, including works by Goya, Raimundo de Madrazo y Garreta and Miquel Barceló.

The museum is growing both in terms of its size and its audience. His collection has almost doubled and attendance has tripled at his watch.

A highlight of Roglán’s tenure was Meadows’ 50th anniversary, which he celebrated by bringing two successful exhibitions to his halls. With “Treasures From the House of Alba”, The Meadows has drawn more than 130 rare works from the private collections of the Alba family, a group closely linked to the Spanish monarchy. The works of art have resided in three large palaces in Madrid, Salamanca and Seville, some for up to 500 years, and had never been exhibited outside Spain before, according to Roglán. Among them are Goyas and Rubens, 16th century tapestries by Willem de Pannemaker and 19th century furniture created for Napoleon III.

Roglán and the 19th Duke of Alba pose in front of the portraits of the 16th (left) and 17th (right) Dukes of Alba in "Treasures of the Maison d'Alba: 500 years of art and collection."
Roglán and the 19th Duke of Alba pose in front of portraits of the 16th (left) and 17th (right) Dukes of Alba at “Treasures From the House of Alba: 500 Years of Art and Collecting”.(Michael Ainsworth / Staff Photographer)

“This is probably the most important historical collection held by individuals in Europe today, that is to say, say, not part of royalty,” Roglán said at the time. “It’s just amazing. The Duke of Alba traveled to Dallas to open the show, telling The news, that “as a collection, it has never traveled. Photos were taken for different exhibitions, but an exhibition like this? Never.”

Shortly before this exhibition was another first, the first American exhibition of paintings from the collection of Juan Abelló, long known as one of the world’s foremost collectors.

In the year she and the Alba show took place, 2015, SMU received what was then the largest donation in school history from the Meadows Foundation, including $ 25 million for the museum. “It’s huge. It will continue to allow us to be the center of Spanish art in America,” Roglán said.

Born to a Coloradian mother and a Spanish father, Roglán grew up celebrating American traditions.  He landed at the Meadows Museum after working at the Prado and the Fogg Museum at Harvard.
Born to a Coloradian mother and a Spanish father, Roglán grew up celebrating American traditions. He landed at the Meadows Museum after working at the Prado and the Fogg Museum at Harvard.(TAMYTHA_CAMERON)

The people at home had already taken note of his accomplishments. In 2010, King Juan Carlos I of Spain knighted Roglán for his contribution to Spanish art.

“Mark is a very gifted museum director,” said Gabriele Finaldi, a former Prado official who is now director of the National Gallery in London, at the time of the Meadows’ anniversary. “He’s pretty committed. It has significantly raised the profile of the museum.

He had done so by focusing on his profile “as a museum of Spanish art in the middle of Texas,” Finaldi said. “And that,” he added, “is awesome.”

Last month, the Meadows expanded their activities even further with the creation of a research institute supported by $ 6 million in donations from the Custard family and the Meadows Foundation.

Roglán was born in Madrid on April 8, 1971. Son of a Colorado mother of Irish-German descent and a Spanish father known as one of the best broadcasters in the country, he grew up celebrating American traditions: pie with apples, chocolate chip cookies, even Santa Claus, a minor figure in Spain, where the feast of Epiphany on January 6 is more important.

His interest in international artistic exchanges began early. At the Universidad Autónoma de Madrid, his doctoral thesis was titled “Nineteenth Century Spanish Paintings in Public Collections in the United States” – which suited someone who went on to direct one of the largest collections in the United States. Spanish art outside of Spain.

Earlier this year, the Meadows acquired 1621 from Bartolomé González y Serrano "Portrait of a lady" in honor of Roglán.
Earlier this year, the Meadows acquired Bartolomé González y Serrano’s “Portrait of a Woman” from 1621 in honor of Roglán.(Kevin Todora)

Roglán was an assistant in the drawing department at the Fogg Museum at Harvard University. At the famous Museo Nacional del Prado, Spain, he worked as a curator and researcher in the 19th century painting and sculpture department.

In October 2001, he arrived at Meadows as interim curator. He was appointed head of the museum’s collections the following January and appointed second-in-command by then-director Ted Pillsbury in 2004.

A year and a half later, he took over the management.

This summer, when the Meadows Museum announced the acquisition of a rare 400-year-old painting, it did so in honor of Roglán. The work, a 1621 portrait of an “unknown noblewoman” by Bartolomé González y Serrano, has been exhibited in the Jake and Nancy Hamon galleries of the museum. A close examination reveals an incredible precision in the rendering of his clothes. She is dressed in the latest fashions of her time: pearls, a silk dress, and a fragile, precisely painted white lace necklace.

Serrano was a contemporary of Diego Velázquez and a court painter for the king. Despite producing over 100 portraits of royals and others, most of his work never left Spain.

Members of the museum’s advisory board funded the purchase. Calling him, “undoubtedly among the best of the artist,” Roglán said he was grateful for their tribute.

He is survived by his wife and their four children, a brother in Atlanta and his mother in Madrid. His father predeceased him in death earlier this year.

Plans for a memorial service have yet to be announced. Contributions to her memory can be made to the Meadows Museum Art Acquisitions Fund or the Harold C. Simmons Comprehensive Cancer Center at UT Southwestern.

Scenes from a new exhibit at the Meadows Museum at Southern Methodist University.  The artist is Secundino Hernandez, from Madrid, Spain.
From left to right: Borja Ezcurra Vacas, Teatro Real;  Janet Kafka, Honorary Consul of Spain, Dallas;  Marisa Vázquez-Shelly, Teatro Real;  Sonia Alonso, Atapuerca Foundation;  Andrés Gil, Allies Foundation for Hispanic Culture, Education and Science (AHCES);  Blanca Pons-Sorolla;  Ignacio García-Belenguer Laita, Teatro Real;  and Mark Roglán of the Meadows Museum.
La Tauromaquia etching and aquatint reveal the agility and daring of the bullfighter in the Madrid ring.  It is from 1814-16.
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Henry Moore and Churchill at Dreweatts Contemporary Art Auction Tue, 05 Oct 2021 09:34:54 +0000

A barely 11cm bronze sculpture by one of the greatest British sculptors of the 20th century, Henry Moore (1898-1986), will be auctioned off at the Dreweatts Modern and Contemporary Art sale on October 12, 2021.

The work entitled Reclining nude: crossed feet depicts a reclining female nude – a form that dominated Moore’s artistic work throughout his career. He liked the composition both for the spirit of the idea, as well as the freedom of expression it afforded him. The work is typical of Moore’s small scale bronzes. The soft curves of the body dominate the form, while the smaller head, with its lack of naturalistic facial features, hints at a generic stylized form rather than a custom image.

Supported on both arms, the body creates a contrasting mix of soft curves and sharper angles at the joints, interrupted by the absence of hands and feet. Despite the simplification of the form, the work remains more naturalistic than his first abstract sculptures. The piece premiered in 1980 and is valued at between £ 60,000-80,000 when auctioned at the Dreweatts Modern and Contemporary Art Sale on October 12, 2021. (See working video here: https: //


Another important job of Moore in sales is Queen’s Head (Study). Bronze is one of many preparatory works produced by Moore for the large-scale group sculpture King and Queen. The studies and final sculpture are unusual in Moore’s repertoire, depicting a defined subject rather than the usual universal human form. They are also the only sculptures depicting a single pair of adult figures in Moore’s entire repertoire. Moore himself has offered the following explanation, although others have suggested that the moment of the play with the coronation of Elizabeth II did not fail to impress some interest in the artist:

“The ‘King and Queen’ is rather strange. Like many of my sculptures, I cannot explain exactly how it evolved. Anything can get me started with an idea for sculpture, and in this case it was playing with a small piece of modeling wax. … As he handled a piece of wax, he began to look like a bearded head with horns, similar to Pan’s. Then he pushed a crown and I immediately recognized him as the head of a king. I went on and gave him a body. When wax hardens, it is almost as strong as metal. I used this special force to repeat in the body the aristocratic refinement that I found in the head. Then I added a second figure to it and it became a “king and queen”. I realized now that was because I read stories to Mary, my six year old daughter, every night, and most of them were about kings, queens and princesses.

To study

This small study shows the queen’s angular head perforated with a single hole in place of the eyes, her slender face has been widely worked and striped adding texture and depth to the surface. The queen’s head used in the completed group sculpture was much softer and less angular than her preparatory studies. In the present work, Moore’s working process is laid bare as he experiments with both form and surface. Each marks a permanent memory of the artist’s touch, the work presented has its own beauty and serves as a key insight into the development of an idea. One of the casts is held in the public collection of the Museum of Fine Arts in Montreal, Quebec, Canada, a gift from Dr and Mrs Max Stern in 1984. The plaster is held by the Henry Moore Foundation. This work was created in 1952 and cast in 1959 in an edition of two plus an artist’s proof. It is estimated between £ 50,000 and £ 80,000. See the video of the work here:


Other prominent British sculptors featured in the sale include several works by esteemed sculptor Lynn Chadwick (1914-2003). Walking Masked Figures VIII demonstrates Chadwick’s combination of timeless architectural forms with elements of human, animal and mechanical. By the 1960s Chadwick was experimenting with casting bronze, and by the 1970s he had established a visible vocabulary of gender differentiation – triangular or diamond heads for women and square or rectangular heads for men. Additionally, the technique of adding polished facets to his figures both added texture and accentuated specific parts of the anatomy, as seen in Walking masked figures VIII. Created in bronze, it was produced in 1980 and cast in a numbered edition of 9. It is estimated between £ 40,000 and £ 60,000.

The enduring quality and appeal of Chadwick’s work means that he remains a household name recognized. In 1964 he received a CBE, and later in 1984 he was appointed Officer of the Order of Arts and Letters in France. In 2001 he was appointed Principal Academician at the Royal Academy of Arts in London. His work is housed in major collections and galleries around the world, including the Tate Gallery in London and the Museum of Modern Art in New York. See the video on this work here:


Elsewhere in the sale is a bronze figure titled Pilgrim by Dame Elisabeth Frink (1930-1993) a signature subject for this renowned sculptor, embodying the strength of the masculine form, alongside the heroism and the fragility of the man.

In 1984, Frink explained in his recieved catalog, ‘What I have tried to make clear in my sculptures over the past five years is how feeling, expression, even strength and energy, has to be beneath the surface. The outer skin can define more or less conventional features, but a second glance should indicate the complex tension of the nerve endings and the reflexes of anticipation of something about to happen.

Pilgrim encapsulates all of these things – a male standing with his feet planted on the ground, but frozen in step. Created in bronze in 1983, the work is estimated between £ 15,000 and £ 25,000. See the video on the works here:


The sale also includes a bronze statue of former British Prime Minister Sir Winston Churchill (1874-1965), which is the smallest model of the one now in Parliament Square, London. The figure was created by British sculptor Ivor Roberts-Jones (1916-1996) who, winning the commission, went on to create the work which still stands proudly in one place.

In 1970, the Royal Commission on Fine Arts (whose members included Henry Moore and John Piper), approached nine sculptors to compete for the commission of the Winston Churchill monument in Parliament Square. Two of them ; Ivor Roberts-Jones and Oscar Nemon were shortlisted and invited to submit revised proposals. In November 1970, the Commission had chosen Roberts-Jones as its sculptor. The completed statue was unveiled in Parliament Square in 1973 by Lady Churchill, along with a speech by Queen Elizabeth II.

The current figure was cast by the Meridian Foundry from a model made at the same time as the monumental work Place du Parlement and measures 52 cm. Roberts-Jones kept the first 100 casts for his own clients, the remainder being donated to subscribers of The Collected works by Winston Churchill by the Library of Imperial History in London. The current work was purchased directly from Roberts-Jones by the current owner’s husband. It is estimated between £ 60,000 and £ 80,000.

To consult the complete catalog online, or to find out more about the other sculptures on sale, click here.

See also: British contemporary artist selected to create live sculpture commission at Expo 2020

Publication displays:

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NFTs relaunch contemporary art sales Mon, 04 Oct 2021 15:31:58 +0000

Art was once confined to the hushed expanse of a museum or the walls of an apartment. But he has found an expansive new home today: in the world of crypto.

Contemporary art sales are apparently facing a significant revival using non-fungible tokens – NFTs are a form of cryptocurrency, essentially digital collectibles that live on the blockchain. According to Artprice, the art market information leader, contemporary art auctions peaked at $ 2.7 billion in the last fiscal year 2020-2021. That’s an increase of 117%.

This gigantic figure is largely due to the digitization of art, according to the report. With the pandemic putting everything online for galleries and art dealers in the middle tough financial times for the arts, the world’s growing fascination with NFTs has seen art sales make a comeback.

Thierry Ehrmann, CEO of Artprice, called NFTs a “sensational arrival” in the art landscape.

Just look at the artists who have joined the NFT game. There is the famous Banksy, who sold his work titled morons. It features the words, “I can’t believe you morons buy this shit” and sold for $ 380,000. No need to explain the irony here.


Alexis Ohanian showed off the NFT he bought for Serena Williams at the Met Gala

Then there was digital artist Mike Winkelmann, better known as Beeple, who sold an NFT for $ 69.3 million. The online auction, organized by Christie’s, attracted 22 million people.

The digital art phenomenon has catapulted artists like Beeple, while attracting a younger generation of art lovers. Christie’s, for example, reported that the aforementioned auction mainly attracted buyers under the age of 40. A survey by UBS and Art Economic found that a new sector of millennial collectors is the source of digital works, with 12% of art sales in the first half of the year. of 2021 being purely digital. These millennials spend the most on art overall – an average of $ 378,000. That’s three times more than Generation X and Baby Boomers.

Contemporary art sales are therefore resuming thanks to the love between young people and the blockchain. But if buying these (very expensive) parts isn’t your thing, you can always try making your own NFT.

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East Greenbush sculptor breathes new life into scrap iron and steel Sun, 03 Oct 2021 14:04:58 +0000 It was just a part-time job that started in high school, but organizing merchandise at Averill Park variety store helped Mary Pat Wager find her way as an artist. Over 40 years later, she still arranges things, mostly thrown iron and steel objects, and turns them into sculptures. The works can be elaborate and imposing or intimate and alluring and they have been exhibited in countless galleries across the region. Currently, Wager is represented in the 2021 Hudson Mohawk Regional at the Albany International Airport Gallery, on view through November 8, and she also has an exhibition at the Clement Frame Shop and Art Gallery in downtown Troy until late. October.

When Wager took on this job as a teenager, it wasn’t to create big Lord & Taylor-style showcases. It was an old-fashioned general store located at a major crossroads in his hometown. She was a cashier and was also responsible for organizing the housewares department of functional items such as can openers and oil lamps. Organizing disparate utility objects in a way that elicits new associations and new ideas is a formula that still works for her.

There were other episodes in Wager’s youth where the method prevailed. Sometime after the death of her maternal grandmother, extended family members took turns visiting the large colonial-style property in West Stephentown to share furniture and heirlooms. First the seven children, then all the grandchildren. By the time young Pat arrived, the most desirable things were long gone. She found a few more treasures: buttons and yarn, a single glove, knitting needles and a few small Christmas decorations.

When Wager made a shadow box from instants in Grandma’s house, her personal memories were preserved and entrenched. In addition, the grouped objects were allowed to receive new life and new meaning from subsequent viewers.

This is how Wager likes his mature sculptures to land on people, equally pleasing to the eye but devoid of a personal narrative. “Any material I can get my hands on has some meaning to me. But I’m going for a satisfying aesthetic and that’s all I provide to the viewer, ”she says.

As a high school art student, Wager continued to attach objects to her canvases. When she enrolled at the University of Albany, she still imagined herself to be a painter. But after taking her first soldering lesson, she turned to sculpture. “That was it,” she recalls. “I could defy gravity.”

Around the same time and returning to the Averill Park variety store, Wager made another important discovery, her future husband. The couple raised two children, Daniel and Jessica, who are now adults and have remained in the area.

While the kids were going up, Wager always took time to work in the studio and she also helped support the family by teaching. She has held positions at Russell Sage College (when it was known as Junior College of Albany), College of St. Rose, and the Albany Academy for Girls. Her longest tenure was 27 years in the Averill Park Central School District, where she retired in 2015.

Artist Mary Pat Wager works on one of her pieces in her studio on Tuesday, September 28, 2021 in East Greenbush, NY
Artist Mary Pat Wager works on one of her pieces in her studio on Tuesday, September 28, 2021 in East Greenbush, NYPaul Buckowski / Times Union

Sixteen years ago, the couple designed and built a home on a secluded, wooded 30-acre lot in East Greenbush. Just up a small hill from the main house is Wager’s studio, a single bedroom with 2,250 square feet of floor space and a 12 foot high ceiling. Like a contemporary art museum, the walls are crisp white and the floors immaculate concrete. The predominant color, however, is brown, due to the rusty patina of the thousands of items Wager has acquired over the course of a lifetime, from key chains to gas tanks. These are the building blocks of his earthy designs.

“I forgot all the sources. I once tried to fix it this way but gave up. You can pick up a piece but you forget where it came from. It all gets mixed up, ”says Wager.

The collection started very early when the family lived in a house adjacent to a steel mill. The property was once part of the mill factory and they kept finding interesting bits of metal on the ground. Wager saw possibilities for sculpture and inquired about getting more.

“I got permission to buy tons of this freeform steel. Tons – it’s so heavy! said Pari. “The owner gave me a weekend to choose what we wanted. I had a whole inventory of wonderful, unusual frozen steel shapes that look organic. I continue to tap into this supply.

If Wager had a model for this kind of collection and reuse, it would be his sculpture professor at UAlbany, the late Richard Stankiewicz. “He was well known at the time and was the father of junk sculpture. It would just go to the dumps, ”she said.

Wager has her own payback routines, as she explains, “I love real estate sales on the last day when what’s left is what nobody wants. I am looking for farms with old equipment like cutter bars, seeders and old wheels. They often allow me to come in and take whatever I want.

But she never stooped to visiting a landfill. She has friends for that. “I knew a person who worked in a dump,” she recalls. “He brought me a load of steel every week for $ 40.”

In addition to metals, certain industrial wood parts and antique furniture sometimes do the trick. Some polished stones are also attractive. They can be placed high up in metal constructions, all of which are part of Wager’s “gravity defiant”. What is avoided are all plastics, most glass, and anything that has bright colors or a recent vintage.

The bet usually has a number of coins going at any given time. His completed works are grouped into series, often by theme. Some series are in progress, others finished. One series that she hopes to come to an end concerns Covid.

Artist Mary Pat Wager works on one of her pieces in her studio on Tuesday, September 28, 2021 in East Greenbush, NY
Artist Mary Pat Wager works on one of her pieces in her studio on Tuesday, September 28, 2021 in East Greenbush, NYPaul Buckowski / Times Union

“For months there were no residences, no shows, no meetings and all the work had a Covid tendency,” Wager calls. Among the pieces is “Time Line”, consisting of a length of barbed wire with watches hanging from it. Also, “Lights Out” which has a photo of a woman in a graceful round frame paired with a thermometer. Wager also mentions the one titled “Infection” but refuses to describe it, saying only that “it’s hard to watch”.

Such an explicit editing of materials is rare for Wager, whose more typical creations are fanciful and invite dialogue and broad speculation. During his long career, the artist seems to have heard every imaginable interpretation of his work. While making the tour of her workshop and her park, she quietly gives in to a journalist who, caught up in the charm, claims to see in one of these small steel spots the silhouette of a rodeo cowboy riding bareback, and which gleefully refers to a series of large outdoor sculptures like “these lollipops”.

“What the viewer finds or sees is totally beyond my control,” says Wager.

Glancing over the vast array of materials in his studio, one can’t help but wonder what Wager will come up with next. She’s probably also curious about it. “My goal is to use all the equipment,” says Wager. “That’s my goal.”

Joseph Dalton is a freelance writer based in Troy.

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Expanded museum in Montgomery explores legacy of slavery Sat, 02 Oct 2021 20:30:20 +0000

The Equal Justice Initiative (EJI) has opened the doors of its new Legacy Museum in Montgomery with free admission and special gifts for visitors until October 3. The museum examines the legacy of slavery, from its introduction in the New World in the 17th century to the lingering problems of mass incarceration.

The new facility, at 400 N. Court St., is four times the size of its old location and houses considerably more content. Located on the site of a former cotton warehouse and within walking distance of a former slave auction site, the museum features exhibits on the transatlantic slave trade; the era of reconstruction after the civil war; the civil rights era of the mid-1900s, including the Montgomery bus boycott and resistance to racial integration; and information on the denial of the right to vote, among other issues that carry over to contemporary times.

The new museum offers visitors a unique opportunity to remember the legacy of slavery. (Equal Justice Initiative)

Since opening in 2018, the Legacy Museum and the nearby National Peace and Justice Memorial have drawn hundreds of thousands of people, with tickets sold 80% of the time. The new museum space will be able to accommodate many more visitors.

“Before the pandemic, given the crowds the sites drew, we were mostly at full capacity in our current museum,” said EJI Executive Director Bryan Stevenson. “Last year gave us the opportunity to accelerate a plan to significantly expand the museum space, and we are very happy to share it with the world”,

The museum’s expanded exhibits provide visitors with the opportunity to gain a better understanding of how the forced abduction and trafficking of millions of blacks has caused lasting injury and suffering.

For example, the largest space now includes a gallery showcasing works by some of the country’s most acclaimed artists and sculptors, including Glenn Ligon, Deborah Roberts, Jacob Lawrence, Alison Saar, Elizabeth Cathlett, Gordon Parks and Carrie Mae Weems.

The Transatlantic Slave Trade Wing features more than 200 new sculptures by African artists. Several original animated shorts have been developed for the space with narration from award-winning actors including Lupita Nyong’o, Don Cheadle and Wendell Pierce.

The gallery includes pieces created for the Legacy Museum, and its entire collection is curated in dialogue with the museum’s historical narrative. Collaborations with famous musicians, including Wynton Marsalis, Jon Booz, Lil Buck, The Aeolians, Chrystal Rucker and Brandie Sutton, explore the role of music and dance in understanding our country’s history and the role of arts.

The new Legacy Museum includes an art gallery with works by some of the country’s most acclaimed artists and sculptors. (Equal Justice Initiative)

The expanded museum offers a closer look at the Montgomery bus boycott and the work of legendary civil rights activists. Jim Crow’s iconography is featured in a collection of signs and notices collected across the country. EJI has compiled laws and statutes that codified racial apartheid in America for visitors to read and experience.

The new content details the barriers to voting and equal rights that black people face. Visitors can take a poll test and learn about the arbitrary and humiliating way polling officials denied black residents the right to vote.

The New Mass Incarceration Wing features the voices of people who have been unfairly convicted, unfairly convicted, and unfairly treated in the US legal system. Visitors will learn about the plight of children prosecuted as adults, those with mental illness, those living in poverty and those suffering from brutal conditions in prisons and prisons across the country.

A new “Space for Reflection” honors hundreds of people who have worked their entire lives to fight racial injustice. Showcasing powerful music and imagery, the space is designed to inspire people to think about what they can do to make a difference.

The new museum is four times the size of its original location in Montgomery. (Equal Justice Initiative)
New features include a vastly expanded set of exhibits on the Civil Rights Era, the Montgomery Bus Boycott, Resistance to Racial Integration, and the History of Voter Rights Deprivation. (Equal Justice Initiative)

Information on the national slave trade was significantly expanded to include first-person accounts of enslaved people trafficked to the Deep South in the 19th century.

The lynching era exhibits include audio and photographic equipment, and 800 earthen pots collected from lynching sites across the country as part of the EJI’s community memory project. The first-person narratives are enriched by an examination of the heroic efforts to tackle lynching violence led by pioneering black journalist Ida B. Wells and student activists who have protested for years.

Outside the museum, visitors can engage in a powerful memorial to the victims of racial terrorist violence during Reconstruction.

“For many Americans, the past year has generated a new desire to take a closer look at our history and understand the impact of slavery, mob violence and Jim Crow laws on contemporary issues. We believe that our museum and our memorial can make a huge contribution to this education, ”Stevenson said.

The new expansion brings the many exhibits, galleries and content to life through films, images and first-person narratives. (Equal Justice Initiative)

EJI will expand its shuttle service to transport guests between the museum and the National Memorial for Peace and Justice. EJI is developing meeting spaces and a new place to accommodate groups of visitors.

Click here to learn more about EJI, the museum and the memorial, including visitor information.

(Courtesy of the Alabama News Center)

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3 fall events not to miss for design lovers Sat, 02 Oct 2021 04:12:51 +0000

3 must-see fall events for design lovers – 5280

“Ocelots Blue Pearl Managuas”, 60 x 70 inches, oil on canvas, 2021, by Hunt Slonem. Courtesy of K Contemporain

Here and now

artist Hunt Slonem’s first solo exhibition in Denver; the diverse fall launch of Design Within Reach; an exhibition for furniture geeks.

Art exhibition: More curious and more curious

Since 1977, the famous American artist Hunt Slonem has presented more than 350 exhibitions in galleries and museums around the world. His first solo show in Denver, at LoDo’s K Contemporary Gallery, features over 200 of his vibrant neo-expressionist works, ranging from animal paintings (you may know his iconic rabbits) to outdoor sculptures. Denver artist Jonathan Saiz, who curated the exhibit alongside gallery owner Doug Kacena, calls the exhibit a “colorful and outgoing counterpoint” to the isolation we all felt during the pandemic. Bring it on. To see until November 6

Interior decoration: DWR Fall 2021 Collection

As part of its commitment to celebrate diversity within the furniture industry, Design Within Reach offers exclusive collaborations with color designers in its Fall 2021 collection. All eyes are on the Iklwa ash chair and oak by British designer Mac Collins, and the hand-woven Burks placemats from the Capturing Diversity capsule collection, created by New York designer Stephen Burks in partnership with students at Berea College in Kentucky. . Available now on

Design history: Truth, beauty and power

The Aesthetic Movement, a lesser-known 19th-century design era that emphasized the value of aesthetic furniture, art, and decor, is in the spotlight at this exhibit from the Kirkland Museum of Fine & Decorative Art for furniture geeks. The focal point of the exhibition is a five-legged chair that the museum acquired in 2018 and which was recently awarded to famous British designer Christopher Dresser. On view until January 2, 2022; accompanying virtual tours and online conferences will also be available

This article appeared in the October / November 2021 issue of 5280 Home.

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The complicated story behind Jasper Johns’ argument with a Cameroonian teenager over a drawing of a knee (he has a happy ending) Fri, 01 Oct 2021 19:43:50 +0000

Prior to the opening of his current double retrospective at the Whitney Museum of American Art in New York City and the Philadelphia Museum of Art, Jasper Johns had legal problems. The problem was one of his new works, Slice, and his use of a silkscreen print of a drawing of a 17-year-old boy.

Jean-Marc Togodgue, who left the Republic of Cameroon in West Central Africa for the United States four years ago, was shocked when he received a letter from Johns in April. The esteemed painter, perhaps the most important living American artist, admitted that a drawing the teenager gave to their joint orthopedic surgeon, Alexander M. Clark Jr., featured prominently in his painting. Slice (2020).

A talented athlete who hopes to win a basketball scholarship, Togodgue attends Salisbury School, a boys-only academy in Connecticut. He also likes to draw, sketching different characters in his notebooks. When he tore his anterior cruciate ligament and meniscus while playing football shortly after arriving in the country in 2017, Togodgue drew a picture of the inner workings of the knee based on an image found on the internet.

He introduced it to Clark, who hung it in his office in Sharon, Connecticut. This is where it caught Johns’ attention.

The now 91-year-old artist “thought the image might be useful” and copied it, he wrote in the letter to Togodgue. “I should have asked you then if you would mind if I used it, but I wasn’t sure my idea would ever materialize.” “

But materialized, in Slice, which also features “Slice of the Universe,” a 1986 star map showing the distribution of nearby galaxies that astrophysicist Margaret Geller sent to Johns in 2018. (The image intrigued Johns due to the way the galactic markers appear to form a stick in the middle of the image.) But as he warned Geller that she was helping inspire a new piece, Togodgue had no idea that his drawing had caught the attention of a famous artist until the job is done.

Margaret Geller sent this “Slice of the Universe” (1986) showing the distribution of nearby galaxies to Jasper Johns, who incorporated it into one of his paintings. V. de Lapparent, MJ Geller and JP Huchra, 1986, Astrophysical Journal Letters, 302, L1 (graphs by MJ Kurtz).

“I would like you to be happy with the idea and I hope you will visit my studio to see what I have done,” Johns continued.

At the artist’s invitation, Togodgue and his foster parents, Rita Delgado and Jeff Ruskin (who also teach at his school), went to see the painting at Johns’ studio. Togodgue was thrilled and posed for a photo with the piece, which perfectly reproduces his original design.

“I’m not an art critic, but I liked the way Jasper incorporated Jean-Marc’s work,” Ruskin told Artnet News in an email.

But it was not over yet. Artist Brendan O’Connell, the father of Togodgue’s close friend, took issue that a renowned Johns artist copied a child’s work without permission. When he found out what had happened, he sent Johns a heavily worded letter, accusing him of intellectual property theft.

“The richest and most respected Titan in the art world taking the personal drawing of an African ingenuous” was not a good look in the Black Lives Matter era, O’Connell wrote. He suggested Johns create a foundation to support Togodgue and other young Cameroonian athletes and artists.

Détail de Jasper Johns, <em>Slice</em> (2020), featured in "Jasper Johns: Spirit / Mirror" at the Whitney.  Photo by Ben Davis. “Width =” 1024 “height =” 674 “srcset =”×674 .jpg 1024w,×197.jpg 300w, /news-upload/2021/10/jasper-johns-knee-slice-detail-50×33.jpg 50w “sizes =” (max-width: 1024px) 100vw, 1024px “/></p>
<p class=Detail of Jasper Johns, Slice (2020), featured in “Jasper Johns: Mind / Mirror” at the Whitney. Photo by Ben Davis.

Conley Rollins, who is an informal representative for Johns, said the Washington post this Johns had already discussed what to do for the teenager. But those thoughts – to help pay for Togodgue’s college education, or to prepare him for Slice– had never been transmitted to the adolescent or to his foster family.

It was then that the lawyers entered the scene. What constitutes fair use of copyrighted material in the fine art is a complex question. It is possible that John’s ownership of Togodgue’s intellectual property could be seen as transformative. It is also possible that the artist has infringed the copyright of the young person.

Either way, Johns and Togodgue reached an undisclosed deal for a licensing deal in August.

“I was happy and relieved that this was settled in the end, although Rita and I maintained that it could have been settled sooner and then lawyers and strong letters would not have been necessary,” said Ruskin. “Jean-Marc plans to study art at college. He finds it relaxing and is proud of the pieces he has completed.

Jean-Marc Togodgue et ses parents d'accueil, Rita Delgado et Jeff Ruskin, avec <em>Slice</em> by Jasper Johns at the Whitney Museum of American Art in New York.  Photo courtesy of Jeff Ruskin.  “width =” 634 “height =” 476 “srcset =” 634w, https: / /×225.jpeg 300w, 10 / 48565979-10042695-image-a-9_1632957508199-50×38.jpeg 50w “sizes =” (max-width: 634px) 100vw, 634px “/></p>
<p class=Jean-Marc Togodgue and his foster parents, Rita Delgado and Jeff Ruskin, with Jasper Johns’s Slice at the Whitney Museum of American Art in New York. Photo courtesy of Jeff Ruskin.

Today, the work is part of Whitney’s presentation of “Jasper Johns: Mind / Mirror” and is offered for sale through the artist’s dealer, Matthew Marks Gallery in New York. Profits will be donated to Johns’ nonprofit, the Foundation for the Contemporary Arts.

With the legal dispute behind them, Togodgue, Ruskin, and Delgado were able to visit the Whitney and see Slice in the galleries of the museum, where the teenager is credited by name in the wall tag.

“We were a very proud mom and dad,” Delgado told the London Times. “We kept telling people watching the play: ‘Well, if you want to know who did that, over there, it’s Jean-Marc!’ It stimulated wonderful conversations with an assortment and variety of art lovers, art historians and art teachers. It was the perfect afternoon.

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Mass MoCA’s new director commits to “honoring the past and building from there” Thu, 30 Sep 2021 17:38:37 +0000

The Massachusetts Museum of Contemporary Art (Mass MoCA) in North Adams, Massachusetts has a new director.

Kristy Edmunds, previously Executive and Artistic Director of the Center for the Art of Performance at the University of California at Los Angeles, replaces Joseph C. Thompson, who helped found the museum in the late 1990s and directed it for more than three decades.

In an interview, Edmunds describes herself as “another pair of shoulders” and says she is in no rush to make drastic changes to the institution.

“I see [the role] as a witness that has been transmitted to me in a entrusted manner, ”she told The Art Newspaper. “It’s not about how you reframe it, it’s about how you relate to what’s there. It’s about honoring the past and building from there, without trying to undo it for another set of ambitions.

Edmunds, who will be relocating from Los Angeles to New England in the coming weeks, brings to his new role extensive experience in the performing and multidisciplinary arts. She will continue to be an artistic advisor for the Nimoy Theater in Los Angeles.

Mass MoCA has not made it through the last year and a half unscathed from the pandemic, slashing its annual operating budget from $ 12 million to $ 10.5 million.

The closures related to the pandemic had a direct effect on 70% of the organization’s annual budget and half of the museum’s annual programming. The museum’s downsizing amounted to 120 of its 165 laid-off employees across all departments, including management, throughout 2020. The layoffs prompted employees to unionize earlier this year.

In April, the museum published an official statement that says, in part: “While we recognize the challenges we face as an institution, we believe in our people and our ability to meet these challenges together.” We respect the choice to unionize and look forward to working with the UAW [United Auto Workers] Local 2110 continues to cultivate an inclusive, diverse and sustainable work environment.

“They’ve definitely been through a period of layoffs,” Edmunds says. “There are so many ways for this institution to be interdependent with the local economy and artists around the world. “

Edmunds looks at the coming months “strategically, cautiously, optimistically and very cautiously, not getting ahead of our skis just because there is new momentum,” she said.

Attracting an average of 300,000 visitors per year, Mass MoCA exhibits large-scale art, comprising 250,000 square feet of open and often naturally lit space, immersive installations and galleries. A recently completed extension brought the complex to 650,000 square feet, roughly the total area of ​​the Louvre. The site’s 28 buildings form an elaborate system of interlocking courtyards and passageways spanning 16 acres.

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Cruise Through Ogden from Wall to Jefferson This First Friday Art Walk | News, Sports, Jobs Wed, 29 Sep 2021 22:05:18 +0000

Photo provided

Gallery 25 will showcase works by Trey Dixon and other Fremont High students during the Art Walk this Friday, October 1, 2021.

Cars, live music, and art exhibitions take place throughout the city center and the creative district of Nine Rails during Ogden’s first Friday Art Walk. Events at art galleries, cafes, businesses, event venues – and Lucky Slice Pizza – start at 5:00 p.m.

To get started, stop by The Corner, the little white kiosk on the corner of Washington and 25th Street, for the new art walks map and take note of these upcoming events this Friday night.

Events of the artistic walk on the first Friday of October

25th Street Historic Auto Show 2021

Ogden Downtown Alliance is back with its annual auto show along historic 25th Street featuring over 300 hot rods! The Eccles Community Art Center will be hosting a new Plein Air quick draw contest onsite during the auto show. Works painted during the competition will be available for purchase, followed by a silent auction as the works are on display at the Eccles Art Center, 2580 Jefferson Ave., during the Art Walk on Fridays from 5 to 9 p.m.

Galerie 25, 268 25th St.

Photo provided

Gallery 25 will showcase works by Lindley Richards and other Fremont High students during Art Stroll this Friday, October 1, 2021.

The art shown this month at Gallery 25 will be showcased by over 35 AP art students at Fremont High. Michelle Montierth, who is the owner / artist at Gallery 25, is their teacher and is delighted that they have this opportunity to show their work in a gallery. There will be many different styles and mediums of original art to see. Their work will be judged and prizes awarded to the winning students. Check out what they’ve been working on so far this year and vote for your favorite piece for the People’s Choice Award.

Gallery 51 at Ogden Union Station, 2501 Wall Ave.

The Community Art Show will be open inside Gallery 51 at Ogden Union Station and will feature work on the “Sustainable Planet”. A call for artists was open for two months and allowed creatives to submit their work for this quarterly Ogden Arts exhibition.

Lucky Slice Pizza, 207 25th St.

Lucky Slice Pizza presents LAMP: Live Art, Music and Pizza. The free event for all ages from 5 p.m. onwards includes a live mural by Reno artist Hannah Eddy at the historic 25th Street pizzeria, as well as live musical performances by local bands Comp and Compass Rose . There will also be gifts and prizes from Skullcandy.

Photo provided, Lindsay Huss

One of the new pieces that will be presented during a first solo exhibition, “Fragmented” by Ogden artist Lindsay Huss, this Friday, October 1, 2021, at Art Stroll in Ogden.

Grounds for cafe, 111 25th St.

The featured artist for October at one of Ogden’s favorite cafes is Chris Bodily, who will be in the house to sign his graphic novel. Stop by Grounds for Coffee on 25th Street to see more of his work.

La Bonneville, 221 25th St.

The Bonneville workspace, between Lucky Slice and Stella, hosts Lindsay Huss’s first solo art exhibition. You’ve probably seen his murals all over town: at Daily Rise, Roosters, the wall behind The Monarch on 25th and Adams… and more. During the COVID-19 pandemic, she produced a new series of autobiographical artwork, “Fractured,” which “explores the idea of ​​the many facets of the human personality. In many ways, we fracture our personalities, depending on the situation. … Without studying ourselves and who we really are, we remain fractured. Huss has received several awards for her art: Indie Ogden’s Best Ogden Artist, Artist of the Year for Nurture the Creative Mind, the Mayor of Ogden’s Award for Visual Arts in 2019, and she is the face of Ogden First Friday Art Stroll on the Visit Ogden Website.

The Collective of Local Craftsmen, 2371 Kiesel Ave.

Deann Weapons, Special to Standard Examiner

Ogden’s band Compass Rose, pictured performing on historic 25th Street in September, perform live at Lucky Slice, with Comp, in a live mural this Friday, October 1, 2021, during the Walk artistic.

The Collectif des artisans locales, an “art fair” all year round with works of art by more than 80 artisans, welcomes you to its artistic walk in-store and online, from 5 pm to 9 pm. Their star artist, David de LaurenceMade, will be doing CNC machining. and 3D printing demos. In addition, each purchase made during Art Stroll will receive as a bonus a free keychain made exclusively for Art Stroll by LaurenceMade and will allow you to win a free item! It also kicks off their 5th week of birthday party. Enter to win a gift card and discover the art classes they will have in store on their Facebook event page.

Wasatch Café, 2436 Grant Ave.

The star artist of Wasatch Roasting Co. is Travis Fehlberg (Instagram: art.ttflol). Born in Huntington, Utah, for Fehlberg, art has always been more than a hobby, it was life. Fehlberg enjoys exploring the intersection of religion and identity, past and present, and even healing and pain. Drawing inspiration from his own life and the lives of others, he sought to use his artistic practice to bring light, hope and new understanding to an often cruel and ruthless world. Outside, in the Origin-Alley Art Gallery, new works of art by Rich Ramos, Nezak, Jaroh and other local artists will be on display. Outdoor seating in the alley will be provided.

The Monarch, 455 25th St.

Open Studio Night at The Monarch is the city’s biggest party every first Friday with live music, food, hands-on art, workshops, exhibits, and a chance to browse over 40 creative studios . The October lineup includes Kseniya Thomas doing a live typography demonstration, and Elizabeth Robbins and Shanna Kunz finishing their still life and landscape painting workshop. Their students will present the work they did in the workshop during the art walk. Los Churros Del Norte, churros with homemade sauces, will be onsite and beer and brandies will be available to the crowd 21 and over at the Monarch beer garden.

Photo provided

Gallery 25 will showcase works by Aspen Beasley and other Fremont High students during the Art Walk this Friday, October 1, 2021.

Don’t miss Van Sessions, a live music podcast recording by The Banyan Collective, starting at 7 p.m. with Josaleigh Pollett and Fur Foxen at 8 p.m.

Ogden Contemporary Arts, 455 25th St.

The OCA Center hosts an exhibition (October 1 to November 27) of 24 contemporary Latin American and Latin American artists whose work addresses relevant themes in relation to social and racial justice. “Vida, Muerte, Justicia: Latin American & Latinx Art for the 21st Century” presents local, national and international perspectives across multiple disciplines including painting, sculpture, photography, installation, performance, digital art and more. “Vida, Muerte, Justicia” is a collaboration between Ogden Contemporary Arts, Mary Elizabeth Dee Shaw Gallery at Weber State University, curator Jorge Rojas and associate curator Maria del Mar González-González. The exhibition will be open Friday at the OCA Center and WSU Shaw Gallery Project Space during the 6 p.m. to 9 p.m. art walk.

Art Box, 455 25th St.

Art Box will feature Laurie Harrower, a self-taught oil artist. Painting from his own photographs, Harrower has recently tapped into his unique vision and intuition, bringing much success and happiness to his work. She feels very lucky to be doing what she loves and to inspire others in the process.

Photo provided, Austin Luckett / Iron Pine Co.

Vincent Draper and The Culls perform on a Van Sessions recording in August. Josaleigh Pollett and Fur Foxen will be live for the October Van Sessions this Friday, October 1, 2021 at the Monarch during the first Friday Art Walk.

Eccles Art Center, 2580 Jefferson Ave.

The Eccles Art Center will present and exhibit works from the Utah Watercolor Society and will display paintings by Wendy Dimick Smith in the Carriage House Sales Gallery from 5 p.m. to 8 p.m. Staff at the Art Center invite you to visit during the October Art Walk, then return during the month to enjoy paintings from their UWS and Wendy Dimick Smith exhibitions.

Find other art walk events for the first Friday in October at

The art exhibition “Vida, Muerte, Justicia” opens at the OCA Center this Friday, October 1, 2021, during Art Stroll.


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